The show of shows — returns
- January
- 18
I’m back in the office after once again going on one of my favorite assignments of each year.
I hope you had the chance to read my story yesterday about the 54th annual Winter Antiques Show, which is basically the most prestigious antiques show in America.
It’s held each January at the Seventh Regiment Armory, also known as the Park Avenue Armory, in Manhattan.
It’s an event that brings together 75 of the world’s top dealers and a loan exhibition. This year’s is “An Eye Toward Perfection: The Shaker Museum and Library” featuring some 100 works from the Old Chatham, N.Y., museum. Proceeds from the whole event benefit the East Side House Settlement, a not-for-profit organization that provides social services to residents in the South Bronx.
There’s always a nice connection to our readership area, which adds some extra depth to the show. This year, both Adelson Galleries (whose president Warren Adelson is a Scarborough resident) and Barbara Israel of Barbara Israel Garden Antiques in Katonah were again exhibiting. (More on them shortly).
I’ve now been covering the show for the last seven or eight years, and it’s always guaranteed to spark some serious daydreaming for anyone interested in antiques, art — or shopping.
I mean within steps you can see everything from a letter written by Jesse James to a Lalique brooch, a piece of ancient Greek pottery to a chair from 19th-century America.
As Ben Macklowe of the Macklowe Gallery — think gorgeous Art Nouveau lighting, ceramics and jewelry — told me, you basically have some 5,000 years of history on display.
“It’s like going to the Metropolitan Museum, with price tags,” he said.
I met Macklowe during the show’s press preview, held yesterday afternoon and giving reporters the chance to get a “first look” at the event officially opening today and continuing through Jan. 27.
This year, for the first time, I was also invited to cover the opening festivities last night — where the top collectors in the country come to get their own sneak peek — so, I did a bit of a “split-shift” day.
I’ll give you the run-down of the afternoon first and save the excitement of the evening event for a second post. (Stay tuned).
Ok, so, as I was saying the show is held in the armory, itself a treasure.


And here’s just a hint of the ambiance, found in the lobby:


Once inside, I started my tour. First thing that caught my eye? This millinery trade figure, circa 1880, offered by Giampietro American Folk Art, from New Haven, Conn.:

Then, there was this 1549 North German armor, offered for $2.4 million by Peter Finer of London. (Yes, I said $2.4 million).

Here’s a bit of a walk-through, to give a feel for what else I saw.
This was one of a pair of 1820s dresses being sold by Jan Whitlock of Malvern, Penn.:

I loved the look of this booth belonging to Frank and Barbara Pollack of Highland Park, Ill.:

This is one of two armchairs, 1820-25, attributed to Duncan Phyfe and shown by Hirschl & Adler Galleries in Manhattan:

In the mood for fine art? How about a trio of works by Mary Cassatt, which draw attention to The Old Print Shop, Inc.. also in New York:

Mix it up with the treasures of the Morning Star Gallery of Santa Fe, N.M.:

Just around the corner was this 1760s “Robe a la Francaise,” a silk-satin gown offered for $40,000 by Cora Ginsburg, also of Manhattan:

Ginsburg, associate Leigh Wishner told me, is a textile and costume specialist dealing mainly in 18th- and 19th-century European and American works.
The gown was a special display.
“We don’t often bring ‘costume’ to the exhibition, but we decided to be a little fancy,” Wishner said.
The buyer, she said, would likely be a museum since “there are very few private collectors of costumes” because of concerns such as maintenance, etc.
She was looking forward to the evening’s activities.
“It’s a lot of fun,” she said. “It’s great people-watching for one thing, but it’s an opening attended by avid collectors.”
Here is Ben Macklowe, mentioned above, who I visited next.

“I’m so proud of so many things we’ve brought to the show,” he said. “What we try to do is have an encyclopedia of the Art Nouveau period, focusing mainly on France and America.”
The booth was filled with Daum Nancy cameo glass, Tiffany lamps… and by evening, some show-stopping jewelry.
A treat was checking out the booth of Elle Shushan, who specializes in portrait miniatures. The Philadelphia, Penn., exhibitor is known for the fanciful way it displays its tiny treasures:

About halfway through my tour, we were summoned to the front, where the show’s organizers offer a few comments.
What’s so fun about the afternoon is the “behind-the-scenes” feel.
You can still see things in progress:

And you can hear Catherine Sweeney Singer, the show’s executive director, on the microphone saying “Excuse me for yelling over the garbage trucks.”
Sweeney Singer, once all had assembled, told us again that this show has the lowest attrition rate in the world.

“It’s actually a good problem,” she said. “It means we can focus on other things.”
So, instead of scrambling to find dealers, the show works on keeping it fresh, cutting-edge and as always, strongly vetted (each item is authenticated by committee). She mentioned, as well, that the show has consistently raised more than $1 million each year for the East Side House Settlement.
Sweeney Singer also introduced Arie L. Kopelman, the show’s chairman.

“Every year we try to take it up another notch,” he said. “We tweak it. We tweak it and tweak it.”
This year, he said, it’s the best yet.
Soon, I was back to catch more booths, including my first visit to Adelson Galleries, where the highlights included, from left, “Spanish Dancer with Cigarette” by Robert Henri and “The Throwback” by N.C. Wyeth:

I was next nabbed by publicist Sue Bond, who offered a quick tour of the works offered by Rupert Wace Ancient Art, which supplied the following two images.
“This is one of our stars,” Bond said about the London gallery’s attic terracotta red-figure squat lekythos (430-410 BC):

Bond said the Winter show is ” a very important marketplace for us.” In fact, she just e-mailed me today to say that piece sold to a private collector in New York for more than $200,000, and he intends to lend the piece to the Metropolitan Museum of Art.
Buyers, she said, are taking a fresh look at ancient art.
“Some of the objects just look stunning in an interior, by itself,” she said of this Roman bronze lion-skin from 1st-2nd century AD:

Ancient jewelry, she added, is also getting a lot of attention, pointing to a pair of early Roman gold-and-garnet earrings ($8,500).
“These are 2nd century AD, and believe me, everyone’s going to ask you what you’re wearing.”
I swung back by the Barbara Israel booth — when I went earlier, they were having a soup break and I didn’t want to interrupt.
Here’s an overview of the lovely things she brought:





But what was she doing? Checking on how diffusers were adding a scent of roses to the air.
“It’s a new sales technique,” she said with a laugh.
Again, just a glimpse of the diversity — here’s the booth of Olde Hope Antiques from New Hope, Penn.

across the aisle from this Ming Dynasty buddha from Ralph M. Chait Galleries in Manhattan:

As I headed toward the exit, I glimpsed Ron Keno hard at work in his son Leigh’s booth.
Having interviewed two of his sons — Leigh Keno of Leigh Keno American Antiques and Leslie Keno of Sotheby’s — over the years, in their roles as appraisers for “Antiques Roadshow” and for other stories, I decided to introduce myself.
What a sweet man, who gave a broad smile when I teased him that Leigh had left him to do all the work.
But it was in good hands, since Ron and his late wife, Norma, were antiques dealers in upstate New York and clearly passed along their passion to their boys.
It was almost time for a break, he said.
“I’m just getting to a point where I say ‘Hey, Keno, should I let it alone now?’”
With everything pretty much done, he had time for a quick picture:

Then, I headed out— only to return, in fancier dress, to catch the evening’s activities.
Check back later today to hear about all the glitz— including my George Clooney “sighting.”
(That should get your attention).































